Without desensitisation to violence against women, there wouldn't be a market for something as 'extreme' and brutal as Rapelay. Of course, there is also a huge problem of desensitisation with this kind of thing, in fact it's probably the worst problem. Rapelay is horrifyingly overt about the lack of consent, the violence, treating women like less than nothing. In some ways, you could argue that Rapelay is better than the more common, 'but she wanted it' rape fantasies with their excuses and justifications. I spoke to game designer and Feministe blogger Holly about the issues Rapelay has pulled into focus, and she said: Last year, it was Battle Raper, next year, it will be something else.

And every few months we hear about something new. And it isn't going to fix the gaming industry вЂ“ the first rape simulation game was actually made in the US in 1982, and it was called Custer's Revenge. But banning Rapelay isn't going to fix rape culture. One would hope that a game like Rapelay has a limited market of interest вЂ“ a few truly twisted individuals and maybe some people who want to seem cool or subversive by playing it. Rapelay, as deplorable as it may be, is one game. The Sun is, of course, the ickier and more gleeful of the two it adds a second huge screenshot of a reclining figure in lingerie tearing off her own shirt, with the caption: 'SickвЂ¦' In fact, in terms of screen real estate, titillating images take up more space on the Sun's web page than actual copy.ДЄh ha.

It's worth noting that, as is general practice for the media, both the newspaper articles I saw on this subject pander to reader prurience with screenshots of the animated rape victims in their lingerie recoiling from a pair of grabbing hands. Bouncing around the internet's reactions, I noticed a post from I Blame The Patriarchy, which gets a lot closer to the real issue: But even taking that into consideration, that isn't quite what bothers me about this scenario. Sure, the main character is bitter about being arrested for sexual assault вЂ“ you're allowing him to get his 'revenge'. There are no innocents in the game вЂ“ just corruption and sadistic people all trying to slash their way to the top. While Manhunt details deplorable actions and gory murder, the protagonists and the antagonists are all a part of this evil underworld, where the law of the land is kill or be killed. (I use 'him' here, because Lara, Alyx, Joanna, and Samus cannot always be the rebuttals to a male dominated gamescape.) For example, in Manhunt (a game which almost had its sequel banned due to excessive violence), the original plot is about a convict on death row who is made to participate in a murderous game in exchange for his freedom. In most games that rely on physical aggression in game play, there is some sort of survival narrative that makes the main character more sympathetic in order for us to want to act through him and see his story to completion. You are initiating a rape, and for the majority of the game, the female actors are powerless to stop you. And while one could write a thesis on Niko's motives in Grand Theft Auto 4, there isn't any such flexibility here. There are no enemy combatants вЂ“ instead of eliminating the threat, one is actually becoming the threat. And while it takes many forms вЂ“ from blowing up enemy ships in Galaga to stomping on Goombas in Mario to shooting your way through the latest James Bond installment вЂ“ shifting the focus from fighting takes us into a strange grey area to make rape a focus of a game. Murdering enemies is what we have been doing since game immermorial. While one could analyse this issue from a number of angles, I want to focus on a question that keeps popping up on conversation threads: Why is sexual violence considered worse or different than the non-sexual violence in other popular games such as Grand Theft Auto 4? A bundle of issues rose to the surface surrounding the recent controversy around Rapelay, a rape simulation game which allows you to stalk, rape, and abuse a family of three women.

Rapelay banned